PARASOCIALIZE

A person · 1921 · Marketing

Cordially yours, Betty Crocker

In 1921 a flour company's advertising department needed one woman's name for the kitchen advice its all-female home-service staff was already writing. Betty Crocker was a signature and a persona, not a person: she answered letters, then took a radio voice in 1924, and gave millions a correspondent who signed herself "Cordially yours."

ApplicationConsiderationliteratureradio
A title plate for Cordially yours, Betty Crocker: the name, the year and a mark drawn from the entry. It is not a photograph.
Cordially yours, Betty Crocker in its neighbourhood HERE The brand that has a personality - A mechanism or tactic995The brand that Somebody always wrote back - A work930Somebody alwaysThe figure you buy - A mechanism or tactic971The figure you
points at this this points at colour is what kind of thing it is

**The reply existed before the name did.** In late October 1921 Gold Medal Flour ran a jigsaw-puzzle advertisement in The Saturday Evening Post; Washburn-Crosby received 30,000 completed puzzles and, with them, several hundred letters of cooking questions. The advertising department asked the board to create a personality that the women answering the letters could all sign, as the company's own account puts it. "Crocker" honoured a retired company director, William G. Crocker; "Betty" was chosen because it sounded friendly; employees competed to submit the signature and Florence Lindberg's was adopted, and is still in use. The replies, written by a home-service department of home economists, went out signed "Cordially Yours, Betty Crocker" - a real hand typing under a name no woman owned. **Then the persona was given a voice, which is what makes it a bond rather than a byline.** In 1924 the company helped a local radio station out of bankruptcy, renamed it WCCO, and put Betty Crocker on daytime radio's first cooking show, "the Betty Crocker Cooking School of the Air"; Blanche Ingersoll was its first voice, the program spread to thirteen regional stations, and from 1927 it ran on the fledgling NBC network for twenty-four years, with more than a million listeners enrolled. Each station had its own Betty Crocker reading the same scripts from Minneapolis, and letters - now from across the Midwest - kept arriving. General Mills' own description of the effect is this entry's best line: her voice on the air "was like the woman next door dropping in for a morning visit to share a new recipe." **This is the brand-as-character mechanism at its founding, decades before the corpus had a name for it.** A corporation was given a face and a tone so that a customer relationship would have a subject, and the entry files it as an instance of that later mechanism with the practice dated to the year the signature was drawn. The tie is one-sided in the way that matters: the reader attached to a woman who did not exist, and the reply, however real the labour behind it, came from the persona rather than the person. The counter - that a home economist really did answer, so the bond was two-way - loses because the far end of the reader's attachment was Betty, and Betty could not answer as herself; the correspondence ran under a single invented name for exactly that purpose. Contestable, and recorded as such.

Application. One-sided attachment put to work on purpose. Creator economies, community, fandom as infrastructure, and the things that genuinely help people. Not automatically good - a tool with an obvious use is a tool that will also get a bad one.

Consideration. The part where somebody stops and thinks. The research, the diagnosis, the ethics, the lawsuits, the regulators. Roughly fifty years of arguing with itself about whether this is a relationship.

Where it sits

1900 1900-1949 · 1921 1949

Provenance · 5 source record(s)

Not yet stood behind. The entry is real. A person has not read the citation and confirmed it, so treat the date as approximate until they do.

INSTITUTION The brand

Connected · 3 out, 0 in

The brand that has a personalityan example of · 1995 · A mechanism or tacticSomebody always wrote backcame before · 1930 · A workThe figure you buycame before · 1971 · A mechanism or tactic

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CHARACTERBRANDin the CHARACTER timelinein the BRAND timeline

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