PARASOCIALIZE

A work · 1986–1990 · Television

So many people want to believe he's real

An alien with a kitchen and a family, performed by a man who refused for four years to say how. Children cried when it ended, and the character was invited to birthday parties.

television scripted
A title plate for So many people want to believe he's real: the name, the year and a mark drawn from the entry. It is not a photograph.
So many people want to believe he's real in its neighbourhood HERE Say, kids, what time is it? - A work947Say, kids, whatThe companion that talks back - A mechanism or tactic017The companion tSixty-five percent by seven - A mechanism or tactic934Sixty-five perc
points at this this points at colour is what kind of thing it is

The case that proves the third axis needs a rule, because ALF is on two shelves at once and pretending otherwise would be the exact error the axis was built to stop. On the evidence he is `animate`: he has a mind the audience cannot edit, he wants things for himself (the cat), he is stated to be over two hundred and twenty years old, and he crash-lands because he followed a radio signal. On the evidence of his body he is `made`. Paul Fusco performed him inside a fur suit and guardianship of the mechanism so total that the Los Angeles Times described it as a magician refusing to reveal how his tricks work - 'When Alf walks, he looks like a 3-year-old in a bear costume toddling down the hallway', and in close-up 'it looks as if he could have several human hands stuck up his backside, mechanically moving his mouth, arms and body.' Full-body shots were performed by Michu Meszaros, uncredited. What makes it more than a technique note is that the withholding was deliberate and stated as method: 'Fusco insists that many people believe in Alf just as they believe in Santa Claus, and he is not about to spoil the illusion. So many people want to believe he's real. Alf is in fact very real to me. He has his own dressing room. He speaks for himself. I prefer to preserve that. When you know how it's done, it's just not as fascinating anymore.' That is this site's thesis in a performer talking about his own job: the audience's belief is the asset, and explaining the mechanism destroys it. The evidence that it worked is in the same piece: ALF 'is so fascinating and so realistic, in fact, that he gets invited to birthday parties nearly every day. And mothers have told cast members that their children cry every Monday night when Alf ends.' A character invented on paper in 1982, turned down for four years, then given a family, a pet to want and a government to hide from - and the one-sidedness is asymmetric on purpose. The Tanners are reciprocated; the cat is not; and ALF's own arc is the only one in the corpus that is about being afraid of being sent home.

Where it sits

1950 1950-1999 · 1986 1999

Provenance · 2 source record(s)

Not yet stood behind. The entry is real. A person has not read the citation and confirmed it, so treat the date as approximate until they do.

COMPANION The social agent

Connected · 3 out, 0 in

Say, kids, what time is it?came after · 1947 · A workThe companion that talks backcame before · 2017 · A mechanism or tacticSixty-five percent by sevencame after · 1934 · A mechanism or tactic

It sits in

CHARACTERCOMPANIONin the CHARACTER timelinein the COMPANION timeline

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